entire backlist
Below is the entire list of Wallflower Press publications presented by series.
short cuts |
|||
|
RELIGION AND FILMCinema and the Re-Creation of the WorldS. Brent Plate |
|
FILM AND PHILOSOPHYTaking Movies SeriouslyDaniel Shaw |
|
CONTEMPORARY BRITISH CINEMAFrom Heritage to HorrorJames Leggott |
|
CINEMA AND HISTORYThe Telling of StoriesMike Chopra-Gant |
|
GERMAN EXPRESSIONIST CINEMAThe World of Light and ShadowIan Roberts |
|
THE FRENCH NEW WAVEA New LookNaomi Greene |
|
SHAKESPEARE ON FILMSuch Things as Dreams Are Made ofCaroline Jess-Cooke |
|
CRIME FILMSInvestigating the SceneKirsten Moana Thompson |
|
SPECTATORSHIPThe Power of Looking OnMichelle Aaron |
|
ROMANTIC COMEDYBoy Meets Girl Meets GenreTamar Jeffers McDonald |
|
FILM GENREFrom Iconography to IdeologyBarry Grant |
|
WAR CINEMAHollywood on the Front LineGuy Westwell |
|
ITALIAN NEOREALISMRebuilding the Cinematic CityMark Shiel |
|
THE NEW HOLLYWOODFrom Bonnie and Clyde to Star WarsPeter Krämer |
|
DOCUMENTARYThe Margins of RealityPaul Ward |
|
FILM NOIRFrom Berlin to Sin CityMark Bould |
|
TEEN MOVIESAmerican Youth on ScreenTimothy Shary |
|
THE MUSICALRace, Gender and PerformanceSusan Smith |
|
NEW DIGITAL CINEMAReinventing the Moving ImageHolly Willis |
|
FILM PERFORMANCEFrom Achievement to AppreciationAndrew Klevan |
|
MELODRAMAGenre, Style, SensibilityJohn Mercer |
|
FEMINIST FILM STUDIESWriting the Woman into CinemaJanet McCabe |
|
MUSIC IN FILMSoundtracks and SynergyPauline Reay |
|
PRODUCTION DESIGNArchitects of the ScreenJane Barnwell |
|
NEW GERMAN CINEMAImages of a GenerationJulia Knight |
|
EARLY CINEMAFrom Factory Gate to Dream FactorySimon Popple |
|
AVANT-GARDE FILMForms, Themes and PassionsMichael O'Pray |
|
FILM EDITINGThe Art of the ExpressiveValerie Orpen |
|
BRITISH SOCIAL REALISMFrom Documentary to Brit GritSamantha Lay |
|
WOMEN’S CINEMAThe Contested ScreenAlison Butler |
|
ANIMATIONGenre and AuthorshipPaul Wells |
|
SCENARIOThe Craft of ScreenwritingTudor Gates |
|
NEW CHINESE CINEMAChallenging RepresentationsSheila Cornelius with Ian Haydn Smith |
|
MISE-EN-SCČNEFilm Style and InterpretationJohn Gibbs |
|
COSTUME AND CINEMADress Codes in Popular FilmSarah Street |
|
PSYCHOANALYSIS AND CINEMAThe Play of ShadowsVicky Lebeau |
|
THE WESTERN GENREFrom Lordsburg to Big WhiskeyJohn Saunders |
|
DISASTER MOVIESThe Cinema of Catastrophe (second edition)Stephen Keane |
|
READING HOLLYWOODSpaces and Meanings in American FilmDeborah Thomas |
|
EARLY SOVIET CINEMAInnovation, Ideology and PropagandaDavid Gillespie |
|
SCIENCE FICTION CINEMAFrom Outerspace to CyberspaceGeoff King and Tanya Krzwynska |
|
THE STAR SYSTEMHollywood’s Production of Popular IdentitiesPaul McDonald |
|
THE HORROR GENREFrom Beelzebub to Blair WitchPaul Wells |
||
directors’ cuts |
|||
|
THE CINEMA OF DAVID CRONENBERGFrom Baron of Blood to Cultural HeroErnest Mathijs |
|
THE CINEMA OF JAN SVANKMAJERDark Alchemy (2nd edition)Peter Hames (ed.) |
|
THE CINEMA OF LARS VON TRIERAuthenticity and ArtificeCaroline Bainbridge |
|
THE CINEMA OF TERRENCE MALICKPoetic Visions of America (2nd edition)Hannah Patterson (ed.) |
|
THE CINEMA OF WERNER HERZOGAesthetic Ecstasy and TruthBrad Prager |
|
THE CINEMA OF ANG LEEThe Other Side of the ScreenWhitney Crothers Dilley |
|
THE CINEMA OF TODD HAYNESAll That Heaven AllowsJames Morrison (ed.) |
|
THE CINEMA OF STEVEN SPIELBERGEmpire of LightNigel Morris |
|
THE CINEMA OF ROMAN POLANSKIDark Spaces of the WorldJohn Orr and Elzbieta Ostrowska (eds) |
|
THE CINEMA OF JOHN CARPENTERThe Technique of TerrorIan Conrich |
|
THE CINEMA OF MIKE LEIGHA Sense of the RealGarry Watson |
|
THE CINEMA OF NANNI MORETTIDreams and DiariesEwa Mazierska and Laura Rascaroli |
|
THE CINEMA OF KRZYSZTOF KIESLOWSKIVariations on Destiny and ChanceMarek Haltof |
|
THE CINEMA OF DAVID LYNCHAmerican Dreams, Nightmare VisionsErica Sheen and Annette Davison (eds) |
|
THE CINEMA OF ANDRZEJ WAJDAThe Art of Irony and DefianceJohn Orr and Elzbieta Ostrowska (eds) |
|
THE CINEMA OF GEORGE A. ROMEROKnight of the Living DeadTony Williams |
|
THE CINEMA OF KATHRYN BIGELOWHollywood TransgressorSean Redmond and Deborah Jermyn (eds) |
|
THE CINEMA OF ROBERT LEPAGEThe Poetics of MemoryAleksandar Dundjerovich |
|
THE CINEMA OF WIM WENDERSThe Celluloid HighwayAlexander Graf |
|
THE CINEMA OF KEN LOACHArt in the Service of the PeopleJacob Leigh |
|
THE CINEMA OF EMIR KUSTURICANotes from the UndergroundGoran Gocic |
|
THE CINEMA OF NEIL JORDANDark CarnivalCarole ZuckerForeward by Stephen Rea |
24 frames |
|||
|
THE CINEMA OF NORTH AFRICA & THE MIDDLE EASTGönül Dönmez-Colin (ed.)Preface by Abbas Kiarostami |
|
THE CINEMA OF RUSSIA & THE FORMER SOVIET UNIONBirgit Beumers (ed.)Preface by Sergei Bodrov |
|
THE CINEMA OF AUSTRALIA & NEW ZEALANDGeoff Mayer and Keith Beattie (eds)Preface by John Hughes |
|
THE CINEMA OF THE BALKANSDina Iordanova (ed.)Preface by Dusan Makavejev |
|
THE CINEMA OF CANADAJerry White (ed.)Preface by Atom Egoyan |
|
THE CINEMA OF FRANCEPhil Powrie (ed.)Preface by Michel Marie |
|
THE CINEMA OF SCANDINAVIATytti Soila (ed.)Preface by Jacob Neiiendam |
|
THE CINEMA OF BRITAIN AND IRELANDBrian McFarlane (ed.)Preface by Roy Ward Baker |
|
THE CINEMA OF SPAIN AND PORTUGALAlberto Mira (ed.)Preface by Román Gubern |
|
THE CINEMA OF CENTRAL EUROPEPeter Hames (ed.)Preface by István Szabó |
|
THE CINEMA OF JAPAN AND KOREAJustin Bowyer (ed.)Preface by Jinhee Choi |
|
THE CINEMA OF THE LOW COUNTRIESErnest Mathijs (ed.)Preface by Harry Kümel |
|
THE CINEMA OF ITALYGiorgio Bertellini (ed.)Preface by Gian Piero Brunetta |
|
THE CINEMA OF LATIN AMERICAAlberto Elena and Marina Díaz López (eds)Preface by Walter Salles |
nonfictions |
|||
|
CHÁVEZ: THE REVOLUTION WILL NOT BE TELEVISEDA Case Study of Politics and the MediaRod Stoneman |
|
DOCUMENTARY DISPLAYRe-Viewing Nonfiction Film and VideoKeith Beattie |
|
FILMS OF FACTA History of Science in Documentary Films and TelevisionTimothy Boon |
|
BUILDING BRIDGESThe Cinema of Jean RouchJoram Ten Brink (ed.)Preface by Michael Renov |
|
VISION ONFilm, Television and the Arts in BritainJohn Wyver |
|
THE IMAGE AND THE WITNESSTrauma, Memory and Visual CultureFrances Guerin and Roger Hallas (eds) |
|
PROJECTING MIGRATIONTranscultural Documentary PracticeAlan Grossman and Áine O'Brien (eds)Preface by Hamid Naficy |
|
DIRECT CINEMAObservational Documentary and the Politics of the SixtiesDave Saunders |
cultographies |
|||
|
SUPERSTAR: THE KAREN CARPENTER STORYGlyn Davis |
|
BAD TASTEJim Barratt |
|
THE ROCKY HORROR PICTURE SHOWJeffrey Weinstock |
|
DONNIE DARKOGeoff King |
|
THIS IS SPINAL TAPEthan de Seife |
||
close-up |
|||
|
CLOSE-UP 01 Filmmakers' Choices / The Pop Song in Film / Reading BuffyJohn Gibbs and Douglas Pye (eds) |
|
CLOSE-UP 02 Movies and Tone / Reading Rohmer / Voices in FilmJohn Gibbs and Douglas Pye (eds) |
dekalog |
|||
|
DEKALOG 2On Manoel De OliveiraCarolin Overhoff Ferreira (ed.) |
|
DEKALOG 1On The Five ObstructionsMette Hjort (ed.) |
alterimage |
|||
|
ALTERNATIVE EUROPEEurotrash and Exploitation Cinema Since 1945Ernest Mathijs and Xavier Mendik (eds) |
||
critical guides |
|||
|
CONTEMPORARY NORTH AMERICAN FILM DIRECTORSA Wallflower Critical Guide (second edition)Yoram Allon, Del Cullen and Hannah Patterson (eds) |
|
CONTEMPORARY BRITISH AND IRISH FILM DIRECTORSA Wallflower Critical GuideYoram Allon, Del Cullen and Hannah Patterson (eds) |
film & media studies |
|||
|
Film CuratorshipArchives, Museums and the Digital MarketplaceEdited by Paolo Cherchi Usai, David Francis, Alexander Horwath, Michael Loebenstein |
|
HAUNTED IMAGESFilm, Ethics, Testimony and the HolocaustLibby Saxton |
|
CITIES IN TRANSITIONThe Moving Image and the Modern MetropolisAndrew Webber and Emma Wilson (eds) |
|
A FAMILY AFFAIRCinema Calls HomeMurray Pomerance (ed.) |
|
INGMAR BERGMAN REVISITEDPerformance, Cinema and the ArtsMaaret Koskinen (ed.) |
|
Reading the French New WaveCritics, Writers and Art Cinema in FranceDorota Ostrowska |
|
JOSEF VON STERNBERGThe Case of Lena SmithAlexander Howarth and Michael Omasta (eds) |
|
SUBVERSIONThe Definitive History of Underground CinemaDuncan Reekie |
|
THE UNSILVERED SCREENSurrealism on FilmGraeme Harper and Rob Stone (eds) |
|
DZIGA VERTOVThe Vertov Collection at The Austrian Film MuseumThomas Tode and Barbara Wurm (eds) |
|
THE CINEMATIC TANGOContemporary Argentine FilmTamara L. Falicov |
|
TALKING MOVIESContemporary World Filmmakers in InterviewJason WoodPreface by Geoff Andrew |
|
FIRES WERE STARTEDBritish Cinema and Thatcherism (second edition)Lester Friedman (ed.) |
|
FEMINIST AUTEURSReading Women's FilmsGeetha Ramanathan |
|
LORD OF THE RINGSPopular Culture in Global ContextErnest Mathijs (ed.)Preface by Brian Sibley |
|
FILMOSOPHYDaniel Frampton |
|
REMAPPING WORLD CINEMAIdentity, Culture and Politics in FilmStephanie Dennison and Song Hwee Lim (eds) |
|
CROSSING NEW EUROPEPostmodern Travel and the European Road MovieEwa Mazierska and Laura Rascaroli |
|
SEX AND THE CINEMATanya Krzywinska |
|
SCREEN METHODSComparative Readings in Film StudiesJaqueline Furby and Karen Randell (eds) |
|
UNCOVERING THE HOLOCAUSTThe International Reception of Night and FogEwout van der Knaap (ed.) |
|
THE LURE OF THE VAMPIREGender, Fiction and Fandom from Bram Stoker to BuffyMilly Williamson |
|
THE MATRIX TRILOGYCyberpunk ReloadedStacy Gillis (ed.) |
|
HITCHCOCK AND TWENTIETH-CENTURY CINEMAJohn Orr |
|
MOVING IMAGE TECHNOLOGYFrom Zoetrope to DigitalLeo Enticknap |
|
THE CZECHOSLOVAK NEW WAVEPeter Hames |
|
THE RED AND THE WHITEThe Cinema of People’s PolandPaul Coates |
|
REALITY TVRealism and RevelationAnita Biressi and Heather Nunn (eds) |
|
SIGNS OF LIFEMedicine and CinemaGraeme Harper and Andrew MoorSir Kenneth Calman, former Chief Medical Officer, UK |
|
BIG BROTHER INTERNATIONALFormats, Critics and PublicsErnest Mathijs and Janet Jones (eds) |
|
KEEPING IT REALIrish Film and TelevisionRuth Barton and Harvey O’Brien (eds) |
|
SELLING SEATTLERepresenting Contemporary Urban AmericaJames Lyons |
|
THE TROUBLE WITH MENMasculinities in European and Hollywood CinemaPhil Powrie, Ann Davies and Bruce Babington (eds) |
|
LIQUID METALThe Science Fiction Film ReaderSean Redmond (ed.) |
|
VISIONS OF THE APOCALYPSESpectacles of Destruction in American CinemaWheeler Winston Dixon |
|
THE HOLLYWOOD STORYEverything You Ever Wanted to Know About the American Movie Business But Didn’t Know Where to LookJoel W. Finler |
|
EAST-WEST ENCOUNTERSFranco-Asian Cinema and LiteratureSylvie Blum-Reid |
|
HUNGARIAN CINEMAFrom Coffee House to MultiplexJohn Cunningham |
|
CINEMA OF THE OTHER EUROPEThe Industry and Artistry of East Central European FilmDina Iordanova |
|
KUNG FU CULT MASTERSFrom Bruce Lee to Crouching TigerLeon Hunt |
|
SOUNDSCAPEThe School of Sound Lectures, 1998–2001Larry Sider (ed.) |
|
POPULAR MUSIC AND FILMIan Inglis (ed.) |
|
CINEMA'S MISSING CHILDRENEmma Wilson |
|
THIS THING OF OURSInvestigating The SopranosDavid Lavery (ed.) |
|
TELEPARODYPredicting/Preventing the TV Discourse of TomorrowAngela Hague and David Lavery (eds) |
|
YESTERDAY'S NEWSThe British Cinema Newsreel ReaderLuke McKernan (ed.) |
|
FILM COMEDYGeoff King |
|
FILMING HISTORYThe Memoirs of John Turner, Newsreel CameramanJohn Turner |
|
FRANCE ON FILMReflections on Popular French CinemaLucy Mazdon (ed.) |
|
THE STORY OF A CENTURY!An International Newsfilm ConferenceClyde Jeavons, Jane Mercer and Daniela Kirchner |
|
THE BLADE RUNNER EXPERIENCEThe Legacy of a Science Fiction ClassicWill Brooker (ed.) |
|
HOLOCAUST AND THE MOVING IMAGERepresentations in Film and Television Since 1933Toby Haggith and Joanna Newman (eds) |
film criticism |
|||
|
WIDESCREENWatching. Real. People. ElsewhereMark Cousins |
|
MOVIE WARSHow Hollywood and the Media Limit What Films We Can SeeJonathan Rosenbaum |
|
LIGHT READINGSFilm Criticism and Screen ArtsChris Darke |
||
film production/industry |
|||
|
PERFORMING ILLUSIONSCinema, Special Effects and the Virtual ActorDan North |
|
THE RESEARCHERS GUIDEFilm, Television, Radio and Related Documentation Collections in the UKSergio Angelini (ed.) |
|
INTRODUCTION TO DOCUMENTARY PRODUCTIONA Guide for Media StudentsSearle Kochberg (ed.) |
|
THE BUFVC HANDBOOKMartyn Glanville, Suren Rajeswaren and Hetty Malcolm-Smith (eds) |
artists' film & video |
|||
|
JAMES BENNINGBarbara Pichler and Claudia Slanar (eds) |
|
JOHN COOKViennese by Choice, Filmemacher von BerufMichael Omasta |
|
PETER TSCHERKASSKYAlexander Howarth and Michael Loebenstein (eds) |
|
CINEMA OF PRAYOGAIndian Experimental Film and Video 1913-2006Brad Butler and Karen Mirza (eds) |
|
THE ANIMATE! BOOKBenjamin Cook and Gary Thomas (eds) |
|
THE MEMO BOOKFilms, Videos and Installations by Matthias MullerPeter Todd and Benjamin Cook (eds) |
|
TWO FILMS BY OWEN LANDMark Webber (ed.) |
|
CINEMA BEFORE CINEMAThe Origins of Scientific CinematographyVirgilio Tosi |
|
|||